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Karen Allen and Steven Spielberg on the set of Raiders of the Lost Ark (1981)
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Baz Luhrmann and Isla Fisher on-set of The Great Gatsby (2013)
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Do you know how to shoot an interview? We’ve got 10 tips that’ll turn you into a pro »>
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Stanley Kubrick on the set of Barry Lyndon (1975).
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We spotted this stupendously detailed cardboard replica of a Nikon SLR over at the Etsy blog.
It’s made by the very talented cardboard artist ...
by Jessica Nin
Evolve Digital Cinema has two simple goals - to create the best visual media within their power & to always learn, grow and continue to evolve themselves and their work. Evolve Digital Cinema / IMG is a boutique creative production agency that produces digital film, TV, HD Video, Photography and Graphic Design. With a recent Emmy win for a National Geographic video they created, and collaborating with clients such as Disney, FOX and ESPN, this agency keeps getting better and better!
The New Nat Geo Explorers :45 from Evolve Digital Cinema | IMG .
by John DeMaio
The world of television and film production is a magical place. It seems like a dream job for most, spending time creating entertaining shows and movies that people enjoy. Who wouldn’t want to do this for a living? Unfortunately, this business….like any other business is just that…a business. So here are a few things that will help ground you a little before you dig in and start working on your “dream job.”
by Katrina Diamond
What does next generation advertising look like?
We are in the midst of entrenchment, similar to what the music business was going through in ’98 with the creation of Napster.
Advertising hasn’t changed, but everything else has.
by Jessica Nin
Who do you get to be the keynote speaker at one of the world’s largest electronic media shows, with more than 90,000 attendees from 151 countries and 1,500+ exhibitors? With James Cameron being last year’s speaker, this year’s was tough to top- but we think they got it.
by: Michael Weber, Executive Producer/Owner, The Michael Group
As a longtime television producer, I can not tell you how many times people approach me, whether in meetings or at dinner parties, and tell me that they have the best idea for a television show and then ask me how they can sell it. The truth is, selling a television series can be an extremely difficult and expensive task. Research shows that for every fifty shows that are pitched, maybe one will get approved. Maybe. The process is time-consuming and frustrating as the needs of individual networks change on a daily basis. That being said, I am hoping to shed some light on the process and provide a few tips and tricks to give you the best advantage.
